As time intensive as it can be, we love responding to inquiries for video production bids. We’re truly inspired by the work you do and want to help you advance your mission with our storytelling. But sometimes we receive bids that don’t include all the right information, making it difficult to gauge what the potential client wants to achieve. So we thought it might be helpful to outline what to include in a video production RFP or Inquiry.
This June, we had the unique opportunity to collaborate on the creation and instruction of an intensive documentary film course at Georgetown University’s Villa Le Balze in Florence, Italy. The Villa holds a special place for us as we were both students there almost 14 years ago. Now professional filmmakers, we teamed up with Georgetown Film & Media Studies Director and College Dean Bernie Cook to develop a program that would unite film theory and hands-on storytelling practice.
It has been a while since our last update, but we are happy to share that we’ve finally reached the finish line with The Guardians. Picture lock in hand, composers Joey Burns and John Convertino of Calexico are currently working on the original score. And we will soon begin submitting to film festivals. We’re also waiting to hear where the film will land on PBS through our co-production agreement with public television funder ITVS. So stay tuned for updates. In the meantime, we thought we’d share a few takeaways from the production experience:
As a small production company specializing in authentic storytelling with real people, the equipment we purchase needs to work in a very specific way. Namely, it cannot get in they way of gaining access and intimacy with the people we film. This presents some unique challenges when selecting a camera package. It can’t be too large or cumbersome to set up, lest we miss an important moment or the subjects of our films get intimidated by a huge camera. Many filmmakers have successfully shot intimate stories with larger cameras, but we’ve found that we work much quicker, quieter and closer when our camera system is as unobtrusive as possible. Enter the Sony FS7.
Christmas Eve in Donaciano Ojeda was an affair I couldn’t quite picture when Aristeo and Leucadia first insisted we come to film it. I knew there would be fireworks, food and music. But in a small community with little resources, I couldn’t imagine how grand it would turn out to be. As I watched the spectacle of fireworks spin at the top of the castillo, a 40-foot tower of hand-rigged explosives, I felt this overwhelming resolution: Life goes on, and it’s all going to be okay.
We’re excited to be partnering with our alma mater Georgetown University and the Dean of the Film and Media Studies program Bernie Cook, to offer an intensive 3-week course on documentary filmmaking in Florence next summer.
A nondescript northern Virginia rest stop seems like an unlikely place to help bring back the monarch butterfly. But that’s exactly what’s been happening at mile marker 155 on I-95. For the past two years, VDOT has planted upwards of 9,000 native plants and milkweed to help the monarch on its migratory route through the area.
We were approached by Architectural Digest to produce a video as part of an integrated marketing campaign for Control4, a provider of home automation systems. They wanted to tell a real story of how technology and smart design could help a family with special needs. AJ and Devin’s story fit the bill perfectly.
We were so excited to hear the news this July that our independent documentary film Fate of a Salesman was nominated for a national News & Documentary Emmy Award in the category of “Outstanding Business and Economic Reporting – Long Form.”
We are excited and proud to announce that the Independent Television Service (ITVS) has granted major funding support for The Guardians. The funds will allow us to complete both production and post-production on the film, which we’ve been working on since the beginning of 2014. ITVS is an ideal co-production partner for The Guardians because of its mission to fund independent films that bring underrepresented stories to public television audiences.
Through our work, we’ve been lucky enough to visit some of the most beautiful and amazing spots on the planet. I’ve tried to capture my sense of wonder, awe and inspiration through photography, whether it be images of elephants crossing the Maasai Mara, a tranquil bamboo forest in Kyoto, or prayer flags flapping in the Himalayan winds. Now I’ve made my favorite images available for sale.
Lately there seems to be a mad rush for visual content; the more the better. As a creator, I can’t help but celebrate the increasing appreciation for visual stories. But the glut of content that’s feeding this insatiable desire is also creating a lot of white noise that’s hard to break through. The solution? Certainly stronger, more visual stories. But also finding and understanding your audience. Who are the people that are going to engage with your content and take the actions necessary to advance your mission? Below are some ways to find and know them: